In Redapples falling still, Sneha Subramanian Kanta weaves the lyric in inventive form and as archival history as a multilingual creator. When Tamil and English intersect, they create a ritual of vocabulary which extends into memory as an ode. In these poems, Kanta illuminates that which creates a family, from synecdoches of food, prayer, and song. This collection is a praise for fathers and the instrumental role they play in a family.
