|
Vanessa I. Corredera is Professor of English at Baylor University, USA. Her publications include Reanimating Shakespeare's Othello in Post-Racial America (2022), articles in Literature Compass, The Journal of American Studies, Borrowers and Lenders, and Shakespeare Quarterly, and essays in several edited collections. She is also co-editor, alongside L. Monique Pittman and Geoffrey Way, of Shakespeare and Cultural Appropriation (2023), as well as a General Editor of Borrowers and Lenders: The Journal of Shakespeare and Appropriation. L. Monique Pittman is Professor of English and Director of the J. N. Andrews Honors Program at Andrews University, USA. Her scholarship includes Authorizing Shakespeare on Film and Television: Gender, Class, and Ethnicity in Adaptation (2011), articles in Shakespeare Survey, Borrowers and Lenders, Adaptation, and Shakespeare Bulletin, and a second monograph, Shakespeare's Contested Nations: Race, Gender, and Multicultural Britain in Performances of the History Plays (2022). She is co-editor with Vanessa I. Corredera and Geoffrey Way of Shakespeare and Cultural Appropriation (2023). Mark Thornton Burnett is Professor of Renaissance Studies at Queen's University Belfast, UK. His books include Shakespeare and World Cinema (2013), 'Hamlet' and World Cinema (2019), Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture (2002) and Filming Shakespeare in the Global Marketplace (2007; 2nd ed. 2012). He is series editor of the Arden Shakespeare series Shakespeare and Adaptation. |