One of the best-known prose stylists in contemporary musicology, Susan McClary brings together a fascinating set of essays in Making Sense of Music that focus on temporality and the body as ways of understanding music. McClary grounds her readings within the specifics of historical time and place, even as she shows how the music itself relies on gesture and the body. In sum, this book demonstrates in case studies taken from a wide variety of practices how music draw upon and shapes human subjective experience.
