Never before published letters and uncollected short writings of R. H. Blyth, champion of Zen and the person who brought haiku to the world.Poetry and Zen assembles a remarkable literary feast: the letters, articles, translations, reviews, and selections from the papers of Reginald Horace Blyth (1898–1964). Following on the landmark success of
Zen in English Literature and Oriental Classics (1942), Blyth’s voluminous writings on Zen, Japanese culture, and the Japanese verse forms haiku and senryū captured the imagination of English-speaking readers in the decades following World War II. His enlightening wit and inimitable style struck a particularly sensitive chord in the artistic community, providing inspiration to many poets and writers and helping to kindle global interest in Zen and haiku.
Blyth’s penetrating insights on these topics in a series of books published between 1942 and 1970 helped lay the foundation for the remarkable expansion of Zen outside of East Asia, as well as the popularization of haiku as an international verse form that took place after his death.
Poetry and Zen is the first collection of Blyth’s letters and short writings. The generous array of Blyth‘s literary output and personal writing on display here showcases the wide-ranging interests and brilliant mind of a pivotal figure in the history of modern Zen and Japanese poetry.
"This volume is a collection of the letters, uncollected articles and reviews, and selections from posthumous papers of Reginald Horace Blyth (1898-1964), a man whose books on Zen, Japanese culture, and the Japanese verse forms haiku and senryu captured the imagination of a great many readers in the English-speaking world in the decades following World War II. His enlightening wit and inimitable style struck a particularly sensitive chord in the artistic community, providing inspiration to many poets and writers and playing a very considerable role in kindling Western interest in Zen and haiku. Blyth's penetrating insights on these topics in a series of books published between 1942 and 1970 helped lay the foundation for the remarkable expansion of Zen in the West, as well as the global popularization of haiku as an international verse form that took place after his death"--
“R. H. Blyth is for me a hero of literature. His books altered the world I could know, both in poems and through them.”—Jane Hirshfield, author of
Ledger and
The Heart of Haiku“In
Poetry and Zen: Letters and Uncollected Writings of R. H. Blyth, we find many dimensions of this brilliant man: his almost obsessive love of music, his deep intellectual curiosity, his literary prejudices, and his deep humanity—just for starters. Many of us have found our lives changed by his many books on Japanese and Oriental culture, and this volume gives us a profound look into this complex and fascinating man’s interior. A must-read.”—William Scott Wilson, translator of
Hagakure and
The Book of Five Rings“Blyth’s monumental work as a writer and translator, especially his four-volume translation
Haiku, had an enormously transformative influence across the range of modern Zen and poetry and literary culture more broadly—from Gary Snyder and Robert Aitken to Octavio Paz and Roland Barthes. Here is a treasure-house of his more personal and concise writing, and it is full of jewels.”—David Hinton, author of
Hunger Mountain and
China Root“In high school, R. H. Blyth’s four-volume
Haiku was the first book on Japan I read. Together with his books on senryū and his translation/commentary on
Mumonkan, I have continually reread them for inspiration and pleasure and relied on them as valuable references. I knew little about the man himself—nobody did in those days. Fortunately,
Poetry and Zen finally fleshes out the life of this eccentric scholar. The book also provides the background for the remarkable internationalization of Zen in the second half of the twentieth century. On all fronts,
Poetry and Zen is an enjoyable read.” —John Stevens, translator of
The Art of Peace“Blyth’s previously unpublished writings are reason enough to purchase this book. A second reason is the quality of the writing. One aspect that Blyth found vital in haiku and senryū is humor, which he called ‘the dance of life.’ His essays back up this claim, making reading them a pleasure. Along the way, Blyth compares haiku to senryū, to mysticism, to Zen, to Western literature, to Christian texts, to Buddhism, and to Western humor, to name a few. He also writes about Suzuki and Aitken, bringing new light to their notable Zen lives and teachings. For anyone who has not read Blyth, a treat awaits you. And for those who have, there is much more still to enjoy.”—Stephen Addiss, author of
Zen Painting 
