Fela Anikulapo Kuti was the Afrobeat music maestro whose life and time provide the lens through which we can outline the postcolonial trajectory of the Nigerian state as well as the dynamics of most other African states. Through the Afrobeat music, Fela did not only challenge consecutive governments in Nigeria, but his rebellious Afrobeat lyrics facilitate a philosophical subtext that enriches the more intellectual Afrocentric discourses. Afrobeat and the philosophy of blackism that Fela enunciated place him right beside Malcolm X, Kwame Nkrumah, Marcus Garvey, and all the others who champion a black and African mode of being in the world. This book traces the emergence of Fela on the music scene, the cultural and political backgrounds that made Afrobeat possible, and the philosophical elements that not only contributed to the formation of Fela's blackism, but what constitutes Fela's philosophical sensibility too. This provocative and very readable book is the most rigorous and learned attempt yet to understand Fela not just as an artist, but as a political philosopher shaped by his time and place. As the musician's posthumous reputation continues to grow, Afolayan and Falola do not merely celebrate Fela and his concept of blackism, but also engage critically with his apparent blind spots and inconsistencies as a thinker and performer, particularly in matters of gender and sexuality. Stimulating reading for historians of pan-African thought as well as Fela enthusiasts.