Maria Irene Fornes provides an enlightening introduction to a pivotal figure in both Hispanic-American and experimental theater. From her theatrical origins in 1960s Cuba to her precedent plays for the US stage, this book presents an important guide of work of this politically-charged playwright.
Offers an introduction to Maria Irene Fornes, a pivotal figure in both Hispanic-American and experimental theater. From her theatrical origins in 1960s Cuba to her precedent plays for the US stage, this book presents an important guide of work of this politically-charged playwright.
'In this excellent study, Cummings successfully argues Fornes's stature as "the most important unknown playwright in the United States" during the second half of the 20th century. He provides a comprehensive analysis of her career over four decades, demonstrating how her conjoined practices as playwright, director, and teacher form an organic whole and characterize her distinctive style of theater. Cummings analyzes and interprets all of Fornes's plays in a clear, accessible manner, affording a more detailed examination of what he terms the "key" plays--Promenade, Fefu and Her Friends, and Abingdon Square. Cummings situates Fornes's work and influence decade by decade, providing a portrait of the rapidly changing American theater from 1950 to 2000. He highlights Fornes's particular contributions to the Open Theatre, INTAR, and the Padua Hills Playwrights Festival, among others. As a leading figure of the American avant-garde, Fornes was perhaps most influential as a playwright's playwright who was instrumental in shaping the careers of her more famous protégés, including Henry David Hwang, Eduardo Machado, and Sarah Ruhl. Appendixes detail Fornes's published plays and production history; the bibliography is solid. This is a fine volume. Summing Up: Highly recommended.' M.S. LoMonaco, CHOICE
