Literary Territories argues that the literature of Late Antiquity shared a defining aesthetic sensibility which treated the classical "inhabited world," the oikoumene, as a literary metaphor for the collection and organization of knowledge.
Literary Territories introduces readers to a wide range of literature from 200-900 CE in which geography is a defining principle of literary art. From accounts of Holy Land pilgrimage, to Roman mapmaking, to the systematization of Ptolemy's scientific works, Literary Territories argues that forms of literature that were conceived and produced in very different environments and for different purposes in Late Antiquity nevertheless shared an aesthetic sensibility which treated the classical "inhabited world," the oikoumene, as a literary metaphor for the collection and organization of knowledge. This type of "cartographical thinking" stresses the world of knowledge that is encapsulated in the literary archive. The archival aesthetic coincided with an explosion of late antique travel and Christian pilgrimage which in itself suggests important unifying themes between visual and textual conceptions of space. Indeed, by the end of Late Antiquity the geographical mode appears in nearly every type of writing in multiple Christian languages (Greek, Latin, Syriac, and others). The diffusion of cartographical thinking throughout the real-world oikoumene, now the Christian Roman Empire, was a fundamental intellectual trajectory of Late Antiquity.
In sum, Literary Territories is an important book that demonstrates handily how a "more fluid approach" to geographical literature can provide fresh insights into the astrological, astronomical, cosmographical, geographical, and topographical texts of late antiquity. It poses new questions for the study of Christianization and urbanization in Late Antiquity. Moreover, Johnson's insights into the dynamics and effects of cartographical thinking are likely to serve as springboards future research. Students of pilgrims' writings stand to benefit from the similarities Johnson detects between these works and other non-Christian travel genres ... With Johnson as navigator and fellow-traveler, the journey ahead is bound to be eye-opening.
