Offers perspectives on photography theory from some of the world's leading critics and theorists. Ranging from the most personal to the most dehumanized uses of photography, from the 19th century onwards, and from Latin America to Northern Europe, this title is suitable for those interested in photography, visual culture, and cultural history.
Photography: Theoretical Snapshots offers exciting perspectives on photography theory today from some of the world's leading critics and theorists. It introduces new means of looking at photographs, and addresses the question of photography history, revisiting the work of some of the most influential theorists such as Roland Barthes, Walter Benjamin, and the October group.