The essays in this volume investigate English, Italian, Spanish, German, and Czech early modern theatre, placing Shakespeare and his English contemporaries in the theatrical contexts of early modern Europe. Contributors examine the movement of theatrical units, genres, performance practices and dramatic texts across geo-linguistic borders.

The essays in this volume investigate English, Italian, Spanish, German, Czech, and Bengali early modern theater, placing Shakespeare and his contemporaries in the theatrical contexts of western and central Europe, as well as the Indian sub-continent. Contributors examine the movement of theatrical units, genres, performance practices and dramatic texts across geo-linguistic borders. Mobility is examined from both material and symbolic angles, revealing a tension between transnational movement and resistance to border-crossing.

'The need for this book, for both scholars and students of early modern Europe, cannot be overstated. For many years research has productively aspired to global inclusivity in its understanding of the period's theater and culture. The distinguished contributors to this book rise to the challenge brilliantly as they open the way for future work. Transnational Mobilities in Early Modern Theater is arguably the most groundbreaking and timely intervention that the field has seen since the cultural materialism of the 1980s.' Bryan Reynolds, Chancellor's Professor of Drama, University of California, Irvine, USA 'The highly successful research collective Theatre Without Borders has done it again: this remarkable range of essays on early modern theatre demonstrates that research into the drama of Shakespeare, his British as well as his European contemporaries must be interdisciplinary and comparative if it wishes to develop a proper sense of the theatre's participation in a distinctive mode of cultural mobility.' Ton Hoenselaars, Professor of Early Modern English Literature and Culture, Utrecht University, The Netherlands