Continuity, Innovation, and Connoisseurship brings together revised versions of papers first presented at an international symposium of the same name held at The Pennsylvania State University in 1995. Noted Old Master experts were invited to discuss and contextualize key sixteenth- and seventeenth-century paintings in the collection of the Palmer Museum of Art. The papers shed new light on these works, connecting them to important issues in the thematic and stylistic development of Old Master paintings. This richly illustrated volume also provides an informative introduction to the Palmer Museum's Renaissance and Baroque collections. Contents: Mina Gregori, Director, Roberto Longhi Foundation Introduction Heidi Hornik, Baylor University Michele Tosini: The Artist, the Oeuvre, and the Testament Philippe Costamagna, Independent Scholar Continuity and Innovation: The Art of Maso da San Friano Leonard J. Slatkes, Queens College, CUNY Master Jacomo, Trophime Bigot, and the Candlelight Master Francesca Baldassari, Independent Scholar The Florentine Baroque: Giovan Battista Vanni Bernard Aikema, Katholieke Universiteit Nijmegen Marvellous Imitations and Outrageous Parodies: Pietro della Vecchia Revisted Erich Schleier, Curator Emeritus, Gem$aldegaleri, Berlin The Mystic Marriage of St. Catherine of Alexandria: An Unknown Work of Giovanni Battista Boncori, c. 1673-1675, in the Palmer Museum of Art